I, Us & We "Mono"

Is it odd to anyone else that this band name includes every pronoun of the sort except for "me"?   Is it just me?   Okay then, I'll move on.    These are four songs from I, Us & We- which reminds me of "Me, Myself & I" but isn't.     They have a low-key vibe to them, churning out the softer side of electronic pop.   With piano keys and vocals that can remind me of Muse these are carefully crafted between Blue October and the more redeeming qualities of U2.

In some ways, this reminds me of something more on the electronic side of the coin, such as Twin Shadow or one of those producer types who creates all these beats and uses keyboard and synth.    But then there are enough guitar riffs in here, slow and cutting, that I'm hesitant to put an electric tag on it.     This is especially apparent in the song "Free", in which he can really sing so beautifully about how he is free.

"Lanterns" is a good example of the somewhat electronic side of these songs as it reminds me of Stabbing Westward without all of the teenage angst.     This also somehow brings out hints of a slowed down Duran Duran, which is never really a bad name to find popping up in your head when listening to music.

       As "Lanterns" sings about love being the cruelest game to play and being for dreamers, he ends with "I would say that love brought me to you".    An email, followed by a link I opened, a file I streamed and then a .ZIP folder I chose to download based upon the fact that I liked the first song I heard was what brought me to I, Use & We.    If I am to be what brings you to this wonderful music then so be it, but whatever path you should take I hope you do find this one.   

Hannah Epperson "BURN"

[$5 CAD to Download // $15 CAD for 7" Vinyl // https://hannahepperson.bandcamp.com/album/burn]

I've been trying as much as I can in recent months- and really it was most of my mantra for the end of 2014 going into 2015- to not compare artists with other artists in a negative way.   This is simply to say that I no longer wish to say: "This sounds like <fill in the blank> only better!" because it's kind of that belief of putting someone else down to pick yourself up.    (Though I'm technically not picking *myself* up, just the other artist who sounds how I would like the first, not as good artist to sound)

These two songs from Hannah Epperson begin with beats, strings and an overall mix of electronic pop rock that musically has the makings of something like Gotye.     As strings are delicately plucked in the second song you can hear this as well.    It's very easy to please the ears with these intricate wonders of music on both of these songs.   I've listened to this through at least once trying to focus only on the music and pretend that the vocals do not exist (I sometimes wish I had the technology to pull the vocals out in some sort of music program way) and it is just fascinating to hear the many layers at work here.

On one hand, you have earth-shattering beats that make you believe this could be some sort of hip hop, and yet the style and grace of something classical in the string sense.   Now just imagine the stereotypical person who you would think of as liking classical music (snooty) meeting the stereotypical person who you would think of as liking hip hop (gangsta)   They seem so different, but when these two sounds clash on "BURN" it creates an all new form of beauty.

As you stop picking apart the music, listening for the various levels on which it operates, you do realize that, yes, this does indeed have some beautiful female vocals singing over it as well.    It reminds me of the first time that I heard Polly Scattergood or Kimbra, but back to what I was saying in the first paragraph-- one song particularly stuck out to me when listening to this and that was the theme song to the Netflix original series "Orange Is The New Black".    Of course that song, easily searchable for the artist behind it, is a song that I do enjoy because it gets stuck in my head when I binge watch OITNB but I am not a fan otherwise of her music.

Now I'll say something tired and cliche about how if that other artist sounded more like Hannah Epperson then I would certainly be listening to her as well.    But it doesn't really get much better than these two songs right here and regardless of what other artists you happen to like or dislike or maybe have just not heard of yet, "BURN" should be in your playlist if not your vinyl collection.

Danny Darko ft. Julien Kelland "Say Goodbye" (Original Mix) [single]

[https://soundcloud.com/dannydarko1/danny-darko-ft-julien-kelland-saygoodbye]

It's hard for me to describe the music going on within this song.   It's not full on "pop" in the way that you would think of something being on the radio and thus becoming obnoxious to me because the vibe is a lot more chill.   It's also not really rock, as there are beats and tones of bliss, but yet somehow I want to call this "pop rock" in the way that Blue October would make one of their songs (see: "Approaching Normal") rather than the more traditional route.    The vocals remind me a bit of Polly Scattergood but they do stand out as something unique and for that I do want to listen to anything with Julien Kelland in it now.

There are guitars but not in the sense that you might think of as being upbeat and annoying.   They're strummed along to the synth bass and this is just all around chill.   I'd call it chillwave but it might not be quite that but rather a combination of that, pop, rock and something else I cannot quite place.    Still, this song is a lot of fun and I'd put it on my mixed tape for sure so you should be listening to it as well.    Volume up, windows down.

Sylvia Monnier / Class of 69 split (supermalprodelica)

[€5 for Cassette // €7 to Download // https://supermalprodelica.bandcamp.com/album/sylvia-monnier-class-of-69-split]

I was a big fan of Sylvia Monnier's cassette "Lucinda's River" and as such I wanted to hear this one.    It's on a label from Paris though, so I'm sort of okay with just hearing the digital for now but eventually I will probably buy this on cassette if I can because it is rather good.

Sylvia Monnier has two tracks and the first begins with a ringing bowl hum.   There is guitar distortion in the background and then tones like a dialtone begin to beep as well.   Is it cliche to call it tone drone?    How about electronic ambient?   With space laser whirrs come record scratches and then tones begin to drop like gems, to borrow a phrase.     There is an eerie mystique to the next set of tones which come through will full on beats.

From here, Monnier shifts into a long stretch of drone which can only ever remind me of the opening to The Who's "Baba O'Riley" (just sit back, close your eyes and think about it)   Some whirrs come in with sonic lasers before it's over and then it ends on some banging for good measure.

This is my first time hearing Class of 69 and while I was in this split for Sylvia Monnier I must say that Class of 69 is more than just filler.    There is a lot of sharp ringing on repeat, cymbal rim taps and then it just seemingly grows louder until that Jay Peele bowl playing feel comes out.    It's somewhere between angels and ghosts before the change to sonar which reminds me of a submarine.    My point is only further proved by the beeping that presents itself as the sounds begin to come through in waves.

The beeping becomes more distant as the signal is seemingly growing lost and then the sounds of Jay Peele come back before all is said and done.    This split really had me because of the involvement of Sylvia Monnier but Class of 69 makes this a must have cassette.

QuiVive "Astral Gatecrashing"

[Name Your Price Download // http://quivive.bandcamp.com/album/astral-gatecrashing]

This is my first time hearing QuiVive not on cassette and it's the first release after the cassette I reviewed, so with all of the statistics out of the way let's get into the music.    It begins with these dark sort of rock n roll guitars and then drums come in as well.   The first song just has this overall tribal feel to it as there are ahh's and what also sounds like bongos and steel drum rhythms.     The second song changes it up into these bell tone patterns that skip and then the drum machine kicks in with them.

Within the second song that is this certain rhythm that although instrumental makes you want to sing still.   It goes do-do-do-doo-do-do-doot-doo and unless you hear it then it might not make sense to you.    This is key because the next song has female vocals of sorts over it as hip hop beats are spliced into it as well.    The hip hop beats do become a theme during some of the other songs as well, so it's hard for me to say that this is a specific genre but rather an exploration of several genres.

Really slick guitar notes come out on a song that is fittingly called "fast.cars" while some sort of frequency changes groove with the beats on the last track.    I have different perceptions of what vaporwave is but I can tell you that this is probably not that.   It could be chillwave, but that seems like such a broad term to me and I only want to use it because a) this music is chill and b) I feel like it should be in a genre that ends in "wave".

      As much as I always tend to think about how that is that and this is this, I want to sit around one day and really get a true understanding of not only what all of these different genre names mean (look at the tags on Bandcamp if you genre search) but just how if we take a certain number of them and cross them over into one another what that could be.   (What is chillwave + hip hop + the guitars + etc.)    The trouble is I simply don't have time because instead of attempting anything of that sort I would much rather listen to music such as this.  

Ghost Culture "Ghost Culture" (Phantasy)

Through soothing vocals comes music that could be synthgaze or even synthpop but has these funky beats behind it.    It reminds me a little bit of New Order or a less dark version of Stabbing Westward but there really is no comparison point for Ghost Culture.     The easiest thing to say would be that it would be like Artist A plus Artist B if you took someone with synth and combined them with someone with beats but that wouldn't even do it justice.

Triumphant and with hints of Lou Reed this is something that I put on at random really and it is now slowly becoming one of my favorite albums not just of 2015 but of all time.   It's just... I can't explain it, but it has this certain sound.   If you look at the words used to describe it (not just by me, but by anyone) you might think "Oh, great another one of those" or you might have some ideas in your head of what it will sound like.

Ghost Culture goes above and beyond those ideas in your head in every possible way and this is just amazing.   Remember this one in December for your end of the year lists, people.

Hyper Vigilance "Eat more medication demo tape"

[[$7 // Edition of 100 // https://hypervigilance.bandcamp.com/album/eat-more-medication-demo-tape  ]]

Whenever I see releases such as this I always want to try and figure out what the title means.   We're all medicated somehow, aren't we?  If you take Tylenol you're medicated on some level.    But this music implies something a little bit different and it's the type of medication you would hope it reaches- the psychotics.

On one side of this music are the beats.   It's not really electronic in that sense, as the beats are more of a thumping variety.   It's the pounding, the breaking... though there is a certain undeniable rhythm to it all.    Trapped behind this are vocals sceaming to get out.   Through static booms of doom these songs seem to be conflicted amongst themselves.

Equal parts Dana Fowler And The, dreamcrusher and I Like You, Go Home the music of Hyper Vigilance is electronic hardcore on paper but when you see that tag and think Atari Teenage Riot and the like that is really just not how this sounds at all.   it's that almost metal backing with a variation on electronica in front of it.

This music paints an image of a man in a straightjacket, locked inside a padded cell.  I like to think of The Joker or any number of other criminals in Gotham safely secure in Arkham Asylum.   The constant banging of the head against the door echoing through the empty halls reminds us all that we are at home.